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SLATE VCC 2.0 REVIEW FULL
SLATE VCC 2.0 REVIEW OFFLINE

In 2001, Steven Slate made his mark in the analog summing world by commissioning Roll Music Systems to design and manufacture a custom analog summing box that was later named the FOLCROM.

SLATE VCC 2.0 REVIEW FULL

Over the past ten years, multiple audio manufacturers have produced simplified analog summing boxes that allow DAW users to get the benefits of analog mixing without having to use a full fledged analog desk. The separation and imaging from the analog summing is very apparent, especially when your track count gets high" remarks mixer Jay Baumgardner (Papa Roach, Evanescence). "When you mix through an analog desk you get this life and body to the sound that just doesn't happen when you mix inside the workstation. Audio engineers rely on analog mixing to provide the nonlinear musical qualities that digital mixing does not produce.

SLATE VCC 2.0 REVIEW OFFLINE

Real-time and Offline Oversampling Settings.Analog Summing Plug-in Bundle with Virtual Channel and Virtual Mixbuss Plug-ins - Mac/PC AAX, VST, AUĭespite the digital revolution in the audio industry, many of today's top commercial albums are still mixed on analog consoles.

Global and Group Level Calibration Settings.

Add Extra Harmonics and Saturation with the Added Drive Parameter.

Adds Depth, Width, Vibe and Tone to Digital Mixes.

Group Multiple Instances via Front Panel.

Includes two plugins that faithfully reproduce the signal path of the consoles channel and mixbuss.

Choose from 6 meticulously modelled analogue consoles.

Slate Digital VCC Virtual Console Collection Overview: Inputs and outputs can also be linked to keep level constant and a much requested noise reduction button has appeared to reduce the emulated noise of those consoles. The GUI has also been updated with a clearer separation between the black VCC Channel and the metallic Grey VCC Mixbuss. First a new Brit 4 E emulation has been added recreating the legendary sound of the SSL 4000 E console into the mix. With version 2, VCC brings the whole idea one step further by adding many new features and highly improved algorithms. This way you can create many different shades and colours that will expand your sonic palette like you never imagined before. Mix and match different channel strips with a different mix buss, or route different instrument groups through different channels and mixbuss instances. Unlike with analogue summing, the possibilities on offer here are endless. Slate Digital VCC’s clever design allows you to group several channels so that any changes made on one instance will affect all the other channels in that group, improving your workflow greatly. Select your console emulation between the 5 different emulations adjust the DRIVE knob to adjust how much of the mixer’s colour you wish to add. The Virtual Console Collection is very simple but powerful to use thanks to a clever layout. On the top of the cumulative non-linear behaviour of the mixbuss, Virtual Mixbuss adds crossfeed adding superior imaging and depth to your mix.

Insert Virtual Mixbuss on your master buss and brings a brand new dimension never heard before on your DAW. Insert the Slate Digital Virtual Channel all each individual channel to add the non-linear behaviour of an analogue console’s channel strips imparting your DAW the personality of the mixer of your choice. Slate Digital VCC Virtual Console Collection includes 2 different plug-in Virtual Channel and Virtual Mixbuss working together to recreate the signal path of 5 of the most famous analogue consoles. Slate Digital VCC Virtual Console Collection brings the sound of famous analogue console to your DAW breathing live to mixes done “in the box”.